Showing posts with label academy awards. Show all posts
Showing posts with label academy awards. Show all posts

Sunday, March 27, 2022

Marquess of Queensberry Rules and the Academy

Comedy is a dangerous business, Exhibit A. No-one's especially interested in last night's Best Picture winner, Coda, but everyone's talking about Will Smith punching Chris Rock at the Oscars. Rock made what he clearly thought was a very softball joke about Jada Pinkett Smith's haircut and Will Smith punched him in the face. Unbeknownst to Rock, and apparently all the other people googling about it, Pinkett Smith had publicly talked about a hair loss condition she has.

For anyone aware of her condition, the joke would certainly strike a sour note, but most people seem to feel Will Smith reacted badly. Indeed, when I watched the clip, before googling the story behind the incident, my first guess was that Rock had been harassing Pinkett Smith for years, been sending her dead animals in the mail, or stealing her underwear, and the joke was the last staw. Something like that would warrant the level of Will Smith's reaction. But actors like Smith have to keep their emotions close to the surface, they're used to imagining themselves in extreme circumstances. That's not an excuse but it's an explanation. It's the same reason the Oscars is a ceremony that increasingly makes viewers gag from its excessive self-importance. People in this business stoke their own emotions routinely.

At the same time, I would say Will Smith couldn't have let the moment pass. The right move would be for him to walk up on stage, lean over and say into Rock's ear, "My wife has a condition leading to hair loss. A joke like that isn't cool." Rock probably would've apologised and that would've been the end of it. As it is, the incident ends with Rock clearly not having a clue what happened, and Smith and Pinkett Smith clearly not contemplating the possibility that not everyone in the room is aware of every public detail of their lives.

The moral of the story is, comedy is dangerous, but so is taking yourself too seriously.

Twitter Sonnet #1566

On brittle fields of green the brothers clash.
On dusty plains the brothers ran ahead.
An ancient bar condoned a heartless bash.
Enough machines were raised to wake the dead.
The sleepy rabbit caught the eyes of socks.
A bloody arrow led the act away.
A crowd of singing boats have choked the docks.
A spotted Rover fed the bones to pay.
The hairless men assembled past the glass.
The clerks arranged the clothes about their frames.
To dress a stone is like to buy a gas.
Between the walls the dummies play their games.
A night of fists distracts from years of lasts.
We trade a hasty deck for diff'rent pasts.

Monday, March 05, 2018

And the Naked Gold Man Goes to . . .

A movie I actually liked won Best Picture and Best Director at last night's Oscars. That hasn't happened in ten years. So congratulations to Guillermo del Toro, a very fine director and an incredibly nice guy. As is often the case, the Oscar seems more an award for a career than for the specific film: The Shape of Water is a really good movie but I thought Crimson Peak was even better and of course Devil's Backbone is a classic. The first Hellboy remains one of my favourite comic book movies. I'm glad to think this'll help make it easier for Del Toro to get decent budgets for his weirdest ideas.

As usual, I didn't watch the ceremony. I'm not a big fan of awards ceremonies in general--I tend to agree with Major Briggs on Twin Peaks: "Achievement is its own reward. Pride obscures it." The Academy Awards in particular have long been especially difficult to watch for me though maybe artists in the film industry who plumb the depths of their rawest emotions and routinely bare them for take after take need this kind of thing for catharsis. If I get some decent movies out of it I don't mind. I was happy to see Roger Deakins' work for Blade Runner 2049 was recognised--again, likely an acknowledgement of a career, though Blade Runner 2049 is last year's most under-appreciated film.

I didn't see most of the Best Picture nominees this year. I saw Shape of Water, Dunkirk, and Get Out. Certainly I think Shape of Water is the best of those three--the other two I thought were both good but overrated. I'm not sure I feel like seeing Lady Bird--I wasn't really impressed by Frances Ha, a film Greta Gerwig co-wrote and starred in, and I tend to feel like she's one of those people promoted by the Castigliane Brothers from Mulholland Drive. I thought the trailers for Three Billboards Outside Ebbing, Missouri looked horrible with kind of a cheaply smug political attitude but some of the reviews I've seen make it sound like the film's pushed some real buttons so I might check it out.

Jimmy Kimmel seems to be a really popular host. I haven't had much exposure to him, I've never watched his show and I haven't thought he was particularly funny whenever he was on Howard Stern. I hated The Man Show though I thought this article in The Atlantic, which rehashed some of the worst moments of The Man Show a few days before the Oscars, was unintentionally hilarious. "Forgiving Jimmy Kimmel" it's called. Like families across the country sat down at the kitchen table and carefully weighed the moral implications of accepting Jimmy Kimmel onto our television sets.

Twitter Sonnet #1090

A zoom reshapes a plushy hat to big.
Forgotten rows of fabric eyes decide.
In judgement like a dusty station rig.
The pocket watch ordains the countryside.
Arranged in jelly rows was harvest dough.
In blinking lights the phone at last amends.
A single colour shook the light to go.
On purple webs the passenger depends.
Hotels with secret monocles adorned.
A house with confidential glasses graced.
An inn with rubber goggles slyly worn.
Motels at night with shades upon their face.
Linoleum's a darkened space enclosed.
To bring the lives of silver fish to close.