Showing posts with label shinkai makoto. Show all posts
Showing posts with label shinkai makoto. Show all posts

Sunday, January 21, 2024

A Light Rain

A teenage boy runs away to Tokyo and meets a girl who can control the weather in 2019's Weathering with You (天気の子, lit. "Weather Child"). There are some really interesting things about this movie, particularly in the first thirty minutes, but the premise starts to get too loose for the emotional weight to hold together. The filmmakers try to compensate by pushing the music up but it just becomes loud.

Hodaka (Daigo Kotaro) is the teenage boy. We meet him reading Catcher in the Rye on a boat to Tokyo. Again, director Shinkai Makoto presents a surprisingly familiar Japan. As Hodaka wanders around Shinjuku, there were several places I remember walking past myself.

He's unable to find a decent job and can barely afford lousy accommodations. Then he finds a gun in a trash can. He uses it to scare a yakuza who's trying to force a pretty girl into sex work. There are a lot of transgressions going on here I found heartening--Hodaka is never portrayed as a bad person for running away or for reading Catcher in the Rye. I'm more ambivalent, but no less surprised, about the fact that his use of a gun is portrayed positively throughout the film (mind you, this movie came out a couple years before Abe's assassination).

The pretty girl Hodaka rescued, Hina (Mori Nana), turns out to have magical powers; she can stop the rain with her will alone. Hodaka says they ought to monetise this, and it being early August, the rainy season, they do pretty well for themselves.

The first part of the film has a slightly Oliver Twist-ish quality, improved by the lushly detailed art and realistic obstacles Hodaka faces. It's precisely these qualities that makes the film disappointing as it shifts gears to lazier writing and new concepts are thrown at the viewer instead of development. We never learn why Hodaka ran away from home, we never learn much about Hina beyond the fact that she's really sweet and has a kid brother. So when we get to the climax and they're supposed to be falling in love (of course, since this is a popular modern Japanese film, they never actually proclaim anything or consummate) there's no emotional weight. This is paired with a natural disaster aspect as the weather starts to go haywire due to Hina's tampering and, just as in Suzume, the movie unwisely avoids showing or even mentioning deaths or injuries or even expensive property destruction that occurs due to these disasters.

The animation is really good, though. If Shinkai becomes just a little more courageous, I suspect he'll make something really good in the coming years.

Weathering with You is available on Max.

X Sonnet #1810

With giant lizards crushed, the hamster wins.
We never know what beasts emerged from mice.
But questions hang as heavy marks of sins.
So many thoughts return to change a price.
Eleven drummer babies prep the meat.
You never change a purse between a friend.
Containment fails when cheaper puppets meet.
So it's a worthless straw can never bend.
Resentful spirit rain restrains the grass.
A rising green insults the falling blue.
But fearful elves traverse the flooded pass.
Among the bones. are *they* remaining true?
The mutant cakes were waiting near the boat.
The hungry watched the frisky fattened stoat.

Sunday, January 14, 2024

Earthquake Worms

A teenage girl finds she alone can protect Japan from a series of devastating earthquakes in 2022's Suzume (すずめの戸締まり). It's a bold idea to create a fantasy around Japan's infamously devastating, chronic natural disasters, one of which just recently struck Ishikawa. On that score, unfortunately I think director Shinkai Makoto strikes a too trivial tone, but setting that aside, the film is a cute romantic adventure.

On the way to school one day, Suzume (Nanoka Hara) meets a handsome young man (Hokuto Matsumura) who asks her the way to the nearest ruin.

Overcome with curiosity, she skips school to follow him. She soon discovers the young man, Souta, is a kind of wizard whose sacred duty is to fight sinister cloud worms who cause Japan's earthquakes when he's unable to shut the interdimensional doors they come through. Her curiosity leads to misfortune when the young man is transformed into a three legged chair after she sets loose a cat-like "keystone". Intended or not, there are definite shades of Eve eating the apple.

It's a very well animated movie with beautiful, detailed backgrounds. I don't remember another anime that so painstakingly captured a Japan I recognise as the one I live in. When Suzume was in Kobe or Tokyo I was able to recognise places I've actually been to. Director Shinkai Makoto pays tribute to some surprising anime by using music from their soundtracks--I noticed Kiki's Delivery Service and, of all things, Kare Kano.

Ultimately, I don't think the film's mythology is any comfort to the victims of earthquakes, which is a good example of why using kid gloves to talk about disasters in art is often a mistake. The film also doesn't have the emotional impact of Shinkai's Your Name or Garden of Words, but it's not a bad movie.

Suzume is available on CrunchyRoll outside Japan.

X Sonnet #1808

As globs of batter change to muffin shapes,
A timid foot has fallen late on ice.
Discordant thoughts arise from sour grapes
To chill affections guessed forever twice.
The blanket clutched a dusty chair for ghosts
To rest their dogs or drink to early light.
The sparrow lamps will make for nervous hosts
And shifty guests will start a secret fight.
Conditions shift as yolks traverse the shells
Of aging helmets, naught to show for mines.
But certain dreams were ringing copper bells
Upon the brink of matins, witness signs.
As triple eyes delivered late arrive,
A quiet force announced herself alive.