Showing posts with label alan bates. Show all posts
Showing posts with label alan bates. Show all posts

Wednesday, October 11, 2023

One Can be Too Good a Host

There are dangers to being too polite, as John Hurt discovers when he allows Alan Bates to invite himself into his home in 1978's The Shout. Directed by Jerzy Skolimowski, much of this film is effectively unsettling. Some of it is a little silly.

A framing story introduces us to Crossley (Bates) at a cricket match on the grounds of an asylum. A young man (Tim Curry) has come to talk to him and Crossley recalls his experiences with one of the cricket players, Anthony (John Hurt).

We go back some time to find Anthony is a musician. He plays the church organ for a living and creates experimental music in his spare time. He finds Crossley outside his home one day, claiming not to have eaten in days and telling Anthony he ought to invite him to dinner.

A situation rapidly devolves from Anthony and his wife, Rachel (Susannah York), feeling forced to accommodate Crossley for the sake of courtesy to somehow Crossley magically seducing Rachel. Some of it is a bit hard to swallow. Some people can be pretty spineless but it's hard to imagine a couple allowing a guy like Alan Bates walk all over them. There is magic involved but Bates' performance, maybe, lacks something to impress me with the gravity of his magic.

John Hurt and Susannah York are both really good, though, and there are times when the film's blurring between reality and dream is really effective.

The Shout is available on The Criterion Channel.

Twitter Sonnet #1748

On ticket scrawls, the rusty car abode.
Incentive changed the oil years in drive.
A flower crown on goblin she bestowed.
We saw the pair were glad to be alive.
In tranquil fields, the cricket goes apace.
When wanting wobbly tarps, ignite the wind.
For capes and cloaks, we covet colder space.
So chilly thoughts to home do kindly send.
An absent gong requires human shouts.
Divesting masks reveals the largest mouth.
Electric fighters meet for power bouts.
Another name has changed, arriving south.
Revealing walking feet, the hem was touched.
A demon says the clouds aren't glowing much.

Monday, November 07, 2022

The Unplanned Inevitable

An attractive young man and woman share glances at the workplace. Then, meeting on the bus, they somehow agree to a date and soon they're experiencing A Kind of Loving. This 1962 kitchen sink film presents a remarkably credible progression from awkward courtship to disillusioned romance between a couple of inexperienced young people.

Vic (Alan Bates) is an average fellow, maybe a little quiet. Ingrid (June Ritchie) is about the same, though a bit more passive. Both are already somehow quite sure their date is going to happen so the two of them stumbling through an idea to see a movie together seems such a formality, neither one actually asks a straight variation of "Will you go out with me?"

A little idle chatter and lingering stares and it seems they're a couple. Life's pretty simple, isn't it? But then Ingrid's submissive nature compels her to bring a chatty friend along for a date. Vic quickly loses patience and storms off. Is that the end?

He still watches Ingrid at social gatherings. He confesses to a friend that sometimes he still wishes they were together, sometimes he really doesn't. Then he gets her pregnant and that's all she wrote. Well, not quite. The film becomes a drama about Ingrid's domineering mother and Vic having to deal with his wife's inability to assert herself.

The performances by Ritchie and Bates are terrific and the writing captures such an authentic sense of young romance, it's fascinating to watch.

A Kind of Loving is available on The Criterion Channel.