Showing posts with label parker posey. Show all posts
Showing posts with label parker posey. Show all posts

Wednesday, February 21, 2024

A Glut of Affirmation

A spoiled young madwoman orchestrates a bizarre tragedy in 1997's The House of Yes. Parker Posey shines as the madwoman, Jackie O, and the film's clever dialogue from the stage play by Wendy MacLeod is always sparkling and devious.

Jackie is named after JFK's wife. We see from the beginning that Posey's Jackie is obsessed with her. She dresses in the famous pink coat and pillbox hat at a party and decorates the outfit with ketchup and macaroni to imitate the gore from Kennedy's fatal wound. The innocent, guileless outsider to the family, Lesly (Tori Spelling), states the obvious--it's not funny. The movie could be read as a referendum on ironic humour. Posey's Jackie imitating Jackie Onassis is so terrible it's funny, but the funny goes right back to sad as the movie progresses.

It's linked to her incestuous obsession with her twin brother, Marty (Josh Hamilton). Their mother, played by Geneveive Bujold, casually mentions to Lesly that when the twins emerged from the womb, Jackie was already holding Marty's penis. And we see the attraction is far from one-sided in a memorable scene where they play piano together and swap corny wordplay jokes like a double act.

Parker Posey doesn't do a very good impression of JFK's wife but she's pleasantly reminiscent of a young Katharine Hepburn--brittle, quick, vain, and clever. She's a delight.

The House of Yes is available on The Criterion Channel until the end of the month.

Monday, December 04, 2023

Post-Thanksgiving Entanglements

Hope Davis wants to go on a simple quest to find out whether husband has been cheating on her but finds the matter complicated when her parents, sister, and sister's boyfriend all decide to tag along in 1996's The Daytrippers. The ensuing story is a pleasant, mild, holiday diversion.

After Thanksgiving, Eliza (Davis) goes home with her husband Louis (Stanley Tucci) and the two make love.

And I thought, wow, ain't Stanley Tucci a lucky son of a gun. The balding man with average looks somehow got this knockout. But, of course, this was the era when the cheating fictional husband typically wore his inner corruption on the outside.

Meanwhile, Eliza's little sister, Jo (Parker Posey), is with her boyfriend, Carl (Liev Schreiber), staying at their parents' house. When Eliza brings them the clue she found, a love letter quoting Andrew Marvell, Rita (Anne Meara), Eliza and Jo's mother, decides they should all pile into the car and head into the city and find out just what Louis is up to.

Rita is a spectator who is unconcerned with her lack of more than superficial understanding of any of the various people and situations they encounter in the city. Carl, who's in the process of finishing his first novel, frequently pontificates with shallow opinions, at one point mentioning how the middle class is anaesthetised by tabloid media. Oh, for the days when America had a sizable middle class. You don't know how good you have it, Carl. Anyway, the shoe seems to fit Rita in this case.

But although she leads the charge, she's not the focus of the film which persistently maintains a light touch, never allowing any of the little plot threads to get a firm grip, quite intentionally. Life is too messy for any drama to take up the space it might want to. Rita faints in the street and Carl prevails upon a young man to let them into his apartment so she can rest. They discover a little drama involving the man's father who's kind of a prick, but then also kind of a nice guy, at first demanding to know why strangers are in his home and then offering them all lunch and wine. This little episode is followed by a party where Jo finds herself tempted to cheat with a less obnoxious author.

Carl keeps talking about Andrew Marvell as an "Elizabethan poet" and "predecessor of Shakespeare" though Marvell was in fact born years after Shakespeare and Elizabeth I were already dead. I'm not sure if this was Carl's mistake or the filmmakers'. I'm tempted to think it's the latter since what would be the point of introducing a mistake that only the random 17th literary nerd like me would catch? My point is, she should be dating me.

The writing is mainly strong, though, with its deliberately light but canny touch and its credible characters in mildly incredible situations. Hope Davis and Parker Posey are both gorgeous and captivating.

The Daytrippers is available on The Criterion Channel this month as part of a Parker Posey collection.