Just last year, an interview at The Guardian with MacGowan began, "MacGowan has not talked to a British newspaper for 10 years and there is so much to ask him, not least how he is still alive." And now he's not and it's not such a mystery. Why does that make it hurt more? When he lived, it was an interesting rebuke to all apparent evidence. Now he's dead, it's just ugly grey, dull normalcy. It's the inexorably fulfilled prophecy in his lyrics about being beaten, starved, and abused.
I often find myself whistling "Dirty Old Town" in recent years, a song I first heard in a rendition by The Pogues, MacGowan's band. The town I live in, Kashihara, seems to suit the song with its factories, canals, battered old buildings, and, despite the famous Japanese obsession with cleanliness, plenty of dirt, with many buildings bearing streaks of black mould and rust.
I suppose it's fitting that MacGowan died at the start of a Christmas season since his most famous song, ironically, is a Christmas song. Just last year the song, "Fairytale of New York", was featured on no less mainstream a platform as The Guardians of the Galaxy Christmas Special.
It's kind of fucked up there's a Michael Buble ad at the end of that video right now, especially since it's the uncensored version of the song.
Shane MacGowan was 65 when he died. He collaborated with many other great musicians in his time. He performed as part of Nick Cave's ensemble arrangement of Bob Dylan's "Death is Not the End", which seems as appropriate a note to end on as any:
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