Showing posts with label john hurt. Show all posts
Showing posts with label john hurt. Show all posts

Wednesday, October 11, 2023

One Can be Too Good a Host

There are dangers to being too polite, as John Hurt discovers when he allows Alan Bates to invite himself into his home in 1978's The Shout. Directed by Jerzy Skolimowski, much of this film is effectively unsettling. Some of it is a little silly.

A framing story introduces us to Crossley (Bates) at a cricket match on the grounds of an asylum. A young man (Tim Curry) has come to talk to him and Crossley recalls his experiences with one of the cricket players, Anthony (John Hurt).

We go back some time to find Anthony is a musician. He plays the church organ for a living and creates experimental music in his spare time. He finds Crossley outside his home one day, claiming not to have eaten in days and telling Anthony he ought to invite him to dinner.

A situation rapidly devolves from Anthony and his wife, Rachel (Susannah York), feeling forced to accommodate Crossley for the sake of courtesy to somehow Crossley magically seducing Rachel. Some of it is a bit hard to swallow. Some people can be pretty spineless but it's hard to imagine a couple allowing a guy like Alan Bates walk all over them. There is magic involved but Bates' performance, maybe, lacks something to impress me with the gravity of his magic.

John Hurt and Susannah York are both really good, though, and there are times when the film's blurring between reality and dream is really effective.

The Shout is available on The Criterion Channel.

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On ticket scrawls, the rusty car abode.
Incentive changed the oil years in drive.
A flower crown on goblin she bestowed.
We saw the pair were glad to be alive.
In tranquil fields, the cricket goes apace.
When wanting wobbly tarps, ignite the wind.
For capes and cloaks, we covet colder space.
So chilly thoughts to home do kindly send.
An absent gong requires human shouts.
Divesting masks reveals the largest mouth.
Electric fighters meet for power bouts.
Another name has changed, arriving south.
Revealing walking feet, the hem was touched.
A demon says the clouds aren't glowing much.

Friday, June 02, 2023

That Old Swamp Magic

Kate Hudson takes a job caring for a paralysed John Hurt in 2005's The Skeleton Key. If she'd seen Dark Waters or Sister, Sister or any number of movies in which an innocent young lady goes to live in a large house deep in the Louisiana bayou, she might've thought twice about taking the job. But she straps in for all the familiar twists and turns in this predictable, formulaic thriller that's nonetheless moderately entertaining.

Peter Sarsgaard plays an estate lawyer who takes Hudson to the property where she meets Hurt along with his wife, played by Gena Rowlands.

Hudson starts to suspect something's up when Rowlands won't explain the absence of mirrors throughout the house. Rowlands gives Hudson a skeleton key and soon she's exploring every nook and cranny of the place, discovering a secret Hoodoo room in the attic.

The usual skittery editing and intermittent sepia tones are used for bits about the house's past which includes a couple witch doctor servants. The film ends up making a commentary on racism oddly reminiscent of Get Out.

Most of the interiors feel like soundstages although parts of the film were apparently shot at a real Louisiana plantation. Kate Hudson is fine as an average young woman. John Hurt manages to deliver a good performance despite being paralyzed most of the time.