A young woman leaves voicemails for her deceased sister, not knowing they're being intercepted by an attractive young man in 2026's Voicemails for Isabelle. It's a charming, old fashioned romantic comedy that indulges in the familiar tropes and plot patterns. There's a slightly Hitchcockian element to the film, too.
If you have any familiarity with romantic comedies, you will quickly perceive how the movie will play out. Jill (Zoey Deutsch) is so vulnerable and goofy in an approachably attractive way, but not threateningly attractive, making her a suitable point of view character for the film's target demographic. Wes (Nick Robinson) is so enamoured with the voicemails that he moves to San Francisco, where Jill lives, and tracks her down. Their relationship develops and he struggles with his dark secret.
The tone aimed for here his akin to You Got Mail or Shop Around the Corner but the San Francisco location inevitably reminded me of Vertigo. Wes isn't like Scottie as much as he's like Judy. By meeting Jill under false pretenses, he draws her in in the same way Judy/Madeleine drew Scottie in, though he spends less time crafting a persona. But the dynamic between the two is affected by the fact that she doesn't know he's heard her voicemails to Isabelle, much as the dynamic was fundamentally different before Scottie finally realised the woman he loved may have been a complete fantasy. But Voicemails for Isabelle sticks to a standard three act romantic comedy plot--the couple meets, the couple experiences conflict and separation, the couple resolve their conflict and reunite.
Wes avoids being creepy because he never becomes a point of view character. He is the handsome stalker who flatters the vanity of the point of view character in a way that makes him guilty, thereby making him simultaneously in service to and indebted to Jill. If he were a point of view character, we'd be more inclined to evaluate the intrinsic merit of his actions. He exists to complement Jill. The two are cute together.
Voicemails for Isabelle is available on Netflix.
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