Fresh Method

This month, The Criterion Channel has a method acting playlist so I watched 1967's The Graduate. I'd say Dustin Hoffman's performance is certainly the most crucial component of the film's success.

The first half of the film, from Anne Bancroft's famous initial seduction of Hoffman, through the beginnings of their relationship, is the best part of the film. It's mostly due to Hoffman's timing.

His awkwardness is just so authentic. His quick responses when asked simple questions show a young man out of his depth, vacillating between obvious lies to hide it, and adorable, innocent honesty that shows he's unaware of just how naked he is. It's the kind of timing I don't think you could get outside of method acting.

The second half of the film isn't so good. Katherine Ross isn't very interesting, certainly never as believable as Hoffman. She's kind of a stock pretty girl. It seems like Anne Bancroft's character was originally meant to have more depth. There's a scene where she alludes to studying art in college and there's a faint suggestion that maybe she was attracted to Hoffman's character because he reminds her of how she used to be the innocent young graduate whose dreams were snatched away. But then she just becomes a simplistic villain.

The Graduate is available on The Criterion Channel.

Twitter Sonnet #1706

A wooden foot awaits the iron leg.
What meaning's found in plastic clocks at night.
'Twas only games that changed the chick to egg.
And boiling peace could turn to feathered flight.
Adjusted lists confirm researcher games.
With idols sold, the melting can was bought.
Accounted red, the berries changed their names.
With fluttered eyes, the serpent cord was taught.
With courage fingers buttoned coats depart.
A summer sleeve cold saunter back to town.
With feet for hands, the crawling pieces start.
The chosen card has named a weepy clown.
Constructing weeping cows amassed the farm.
Nutritious meals require frequent harm.