A vampire film starring Bela Lugosi and
directed by Tod Browning but it's not Dracula. It's 1935's
Mark
of the Vampire and top billing actually goes to Lionel
Barrymore who portrays a version of Van Helsing called Professor Zelen. At only
an hour long with a twist ending that makes no sense whatsoever the film has
some really nice imagery and performances but feels incomplete and tampered
with.
It's a remake of Browning's legendary lost
silent film London After Midnight but it features several
elements from Browning's 1931 Dracula--in addition to Lugosi
as Count Mora (Dracula for all intents and purposes) the interior of the
vampire's castle is nearly identical to the one in Dracula.
There's even the same "we people of the mountains" peasant with the
big bushy moustache.
One of the main differences is that this
film has more elements of comedy manifested primarily in the goofy serving
staff of the Baron who's murdered by a vampire early on.
The comedy in the film doesn't work at all,
the broad performances serving really only to undercut the tension created by
some genuinely fantastic compositions by Browning.
The Wikipedia entry suggests (without
citation) that the film was edited down due to a suggestion of incestuous love
between Count Mora and his daughter Luna (Carroll Borland). Maybe it was also
for the lesbian undertones in Luna's seduction of the Baron's daughter Irena
(Elizabeth Allan).
Luna's pretty cool just wandering about coldly
and I would say Lionel Barrymore's performance is rather interesting--he uses a
strange, fervent monotone that starts funny but at times comes up to genuinely
creepy. But for the most part, this film feels like a diminished version of
something greater and lost.
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